How to fulfill the Thematic Analysis requirement
for the Short Story Reading Journals (aka Blog)
Don’t be reluctant to actually type the words
“Hemingway intended…” or “Faulkner meant to highlight…” It is our job in this
course to very logically and methodically interpret meaning in these works of
fiction and our proof/evidence is the literary elements they use. We are
relying on the tools of Formal criticism where we critically look at the “form”
of the work (i.e. literary elements such as setting, structure, character,
etc.) and determine how these elements work together to create what we posit to
be the author’s meaning.
While it is absolutely true that no critical
interpretation can ever really identify what the author was actually thinking
when he or she made a literary decision (and many authors claim that that
really weren’t aware of it themselves at the time), but that is what the world
of literary criticism is for—to make postulations as to meaning—and believe me,
a majority of the articles and books written by literary critics are mostly
responses to or rebuttals of the ideas of other literary critics. That’s what
makes being a literary critic so exciting—you are always working in relation to
another scholar’s ideas of the same works. Later on when contemplating the
novel, we will definitely be consulting the ideas of other critics in order to
form our own ideas/interpretations. But for the short story unit, we are
afforded the luxury of being in our own little critical worlds. ;-)
Using Godwin’s short story “A Sorrowful Woman,”
here’s an example of a section of a journal that would satisfy the requirements
of including a thematic analysis and answering the question, “What was the author attempting to ‘say’
about a particular subject of universal significance and what literary element did he or she use to
achieve this statement?”:
Thesis: In a "Sorrowful Woman," Gail Godwin relies on structure, irony, and symbolism to comment on the sometimes destructive nature of the institution of marriage."
Thesis: In a "Sorrowful Woman," Gail Godwin relies on structure, irony, and symbolism to comment on the sometimes destructive nature of the institution of marriage."
Sample Journal Entry (fulfills second SRRJ thematic analysis requirement): Godwin
creates a sense of structure in “A Sorrowful Woman” when she intentionally and
repetitively describes the husband as “understanding.” This repetition turns
into a form of commentary on the author’s part. By reminding the reader, over
and over, how understanding the husband is, even when the readers themselves
cannot understand the woman’s actions or feelings, Godwin suggests that the
husband is caught up in his own role of being a caring, empathetic partner and
has crossed over into the realm of denial and codependency—ironically, a realm
in which the woman resides as well. Godwin burdens both characters with this
overwhelming sense of duty and obligation and uses this persistent reminder
throughout the story as a way to highlight the oftentimes dampening effect
marriage can have on an individual’s sense of self.
Now, of course this interpretation is just that,
only one person’s interpretation as to meaning in the story. Remember, there
are infinite meanings to these stories, but it’s very clear that this
interpretation has relied upon a Formalist method of literary analysis and
critique. That is, there is an attempt to connect the presence of two literary
elements (structure and irony) to the author’s intention in terms of
constructing meaning in the story.
Now, if this observation/interpretation were
actually to appear in an essay, the writer would most definitely insert
evidence from the text and actually quote from the text (with in-text citations
of course) the various places that create the repetition/irony. This would
further develop the “evidence” that proves the interpretation. Here’s an
example of an extended, developed paragraph of support in an essay:
Sample Supporting/Body paragraph in a Formal Essay: Godwin
creates a sense of structure in “A Sorrowful Woman” when she intentionally and
repetitively describes the husband as “understanding.” Just after the woman
tells her husband that the sight of him and their child makes her sad and sick
and that she never wants to see them again, Godwin describes the husband: “He
was attuned to her; he understood such things. He said he understood” (39).
Godwin further uses some variation of the word “understanding” at least five
more times throughout the story. Nearing the apex of the story, after the woman
had sent away the “perfect” girl who had been watching the child and managing
the home even though the woman herself still felt incapable of being a mother
and a wife, Godwin has the husband reply: “‘Let me think of something. I’ll
think of something.’ (Still understanding these things)” (41). This repetition
turns into a form of commentary on the author’s part (drawing even more
attention to her commentary through the use of a parenthetical note in this
last example). By reminding the reader, over and over, how understanding the
husband is, even when the readers themselves cannot understand the woman’s
actions or feelings, Godwin suggests that the husband is caught up in his own
role of being a caring, empathetic partner and has crossed over into the realm
of denial and codependency—ironically, a realm in which the woman resides as
well. Godwin burdens both characters with this overwhelming sense of duty and
obligation and uses this persistent reminder throughout the story as a way to
highlight the oftentimes dampening effect marriage can have on an individual’s
sense of self.
So, this is an example of one paragraph in an
essay in which the writer has provided a well-argued and developed example of
how Godwin created meaning in her short story through the use of one or more
literary elements. Now the trick would be to develop this essay with two to
three more examples (paragraphs) that all support the same thesis or interpretation as
to meaning (i.e.: marriage’s negative effect on a person’s sense of self).
The writer could choose to find other examples of structure or irony and how
they prove this meaning, or they could find examples using different literary
elements such as language or character, but ALL of his or her examples must
point to the same meaning. This is why it is very important to really work out
what you think the meaning of the story is BEFORE you begin to write your
paper. You will be referring back to this meaning (aka Thesis) in EVERY
paragraph/example. Also, when all your examples provide proof of the same
meaning (thesis), we refer to this as a very unified and cohesive essay—always
the aim for a writer!!!
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